Room 237
Director: Rodney
Archer
As
if you thought you were obsessive with certain films, meet director Rodney
Archer who has a strange obsession with the 1980 film The Shining. But when
I say he is obsessed, that is actually an understatement. His documentary titled Room 237 attacks the conspiracy theories
that lie within this film. Many
believe that the director of The Shining,
Stanley Kubrick, created this grotesque and creepy film well below the level of
what he is capable of producing.
The film is a series of flashbacks of the film, scenes from other films,
and voiceover interviews to help explain conspiracy theories involving
government conspiracy, genocide, and history, with many pictures of Indians and
other things that I am slightly confused about.
On
a scale from 1-10, 1 being ultra mainstream and 10 being ultra indie, I would
rate this film a 9. This 9 does
not represent that same emotional pull and amazing story line that many ultra
indie films exude. I rate this
film a 9 because I think it is so far away from the mainstream viewer’s
interest. I think cinematically,
this film was very creative in using the voiceover interviews and using shots
from all sorts of films to give humor to this review of such a dark film. You should know that the director
referred to himself through shots of Tom Cruise, but unfortunately, looked
nothing like him in person. Room 237 does however, give great
criticism about a director who is so praised, but when his poor directing
skills are pointed out within this film, we question if those things were on
purpose or if Stanley Kubrick really had no clue. The ability to include such arguments and criticism is
something that I think many ultra indie films are known for, which makes this
film worth seeing if you are looking to pull apart every detail of The Shining, frame by frame.
This
documentary challenges the mythical quality relating to history, the
government, and good quality directing I would say. I actually found many of the connections between The Shining
and history quite comedic, especially when one of the voiceovers made brief
connections to pictures on the walls of the way the carpet is designed. The director backs the audience into
these conspiracy theories, but since we never hear from Kubrick himself, we are
left debating if whether or not any of these are actually true, which is
another plus to the creativeness of this ultra indie documentary.
Overall,
this documentary will leave you questioning everything you saw in The Shining, but let me say, that you
too must be very obsessed with this film to sit through all 104 minutes of
analyzing frames down to the way the child plays with his toys. Truly creative and cinematically
intriguing, Room 237 proved itself in
the New Frontier section of Sundance Film Festival 2012.
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